Characters
Young Man/ Narrator:
- Student of Metaphysics at the University
- Friendly
I have found not much was said about the appearance of the narrator, however to better fit the story I will related his appearance to the time the story is set in the 1920's.
Eric Zahn:
First Appearance:
- Small, lean, bent person, with shabby clothes, blue eyes,wrinkled grotesque satyr-like face, nearly bald head and mute with long bony hands
Final Appearance:
- Still , Ice-Cold, Stiffened, Unbreathing Face whose glassy bulged uselessly into the void.
Psyche:
- Old, Lonely, Nervous, Afraid, Temperamental, a Genius, Mysterious.
Alongside this accurate description of the character I will create 2 profile sheets, where I may add some other character details.
Environments
For the environments, though I will use a minimalist yet theatrical approach to them, I felt the need to understand the world where the story is set, because it is one of its main influences. For the descriptions of the environments, I used the original description, with extra details and an accurate vision of the place. One of the reasons I love to read HP Lovecraft.
Rue D'Auseil:
I have never seen another street as narrow and steep as the Rue d’Auseil. It was almost a cliff, closed to all vehicles, consisting in several places of flights of steps, and ending at the top in a lofty ivied wall. Its paving was irregular, sometimes stone slabs, sometimes cobblestones, and sometimes bare earth with struggling greenish-grey vegetation. The houses were tall, peaked-roofed, incredibly old, and crazily leaning backward, forward, and sidewise. Occasionally an opposite pair, both leaning forward, almost met across the street like an arch; and certainly they kept most of the light from the ground below. There were a few overhead bridges from house to house across the street."
Boarding House: Exterior:
Eric Zahn's Room:
"His room, one of only two in the steeply pitched garret, was on the west side, toward the high wall that formed the upper end of the street. Its size was very great, and seemed the greater because of its extraordinary barrenness and neglect. Of furniture there was only a narrow iron bedstead, a dingy wash-stand, a small table, a large bookcase, an iron music-rack, and three old-fashioned chairs. Sheets of music were piled in disorder about the floor. The walls were of bare boards, and had probably never known plaster; whilst the abundance of dust and cobwebs made the place seem more deserted than inhabited."
Landscape seen from Eric Zahn's Room Window:
Music
The music in this story plays a important part so I found crucial to understand the type played, and the variations felt throughout the story. Overall I could identify 4 variations of music, at least the ones which play a important part in the narrative. Meanwhile, I have been looking for artists, such as
Niccolo Paganini, that could be featured in this animation. But I will leave that for another post.
Music Type 1:
"To describe their exact nature is impossible for one unversed in music. They were a kind of fugue, with recurrent passages of the most captivating quality, but to me were notable for the absence of any of the weird notes I had overheard from my room below on other occasions."
- Calmer
- Fugue
- Captivating
Music Type 2:
- Chaotic Babel of Sound
- Pandemonium
- Awful
- Inarticulate cry
- Rose moments of the most terrible fear and anguish
Music Type 3:
- More horrible than ever before
- Fearful
- the playing grew fantastic, dehnous, and hysterical.
- A wild Hungarian Dance popular in the theatres
- Song from another composer
Music Type 4:
- Supernatural
- Horrific
- Insane
- unimaginable to compose
- blind
On the next post I will go through the narrative order, so it will help me when doing the storyboards and the script.
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